
In order to check if 'Hey, Hey What Can I Do' can be transposed to various keys, check "notes" icon at the bottom of viewer as shown in the picture below. * Not all our sheet music are transposable. When this song was released on it was originally published in the key of. Be careful to transpose first then print (or save as PDF). If your desired notes are transposable, you will be able to transpose them after purchase. If you selected -1 Semitone for score originally in C, transposition into B would be made. This means if the composers started the song in original key of the score is C, 1 Semitone means transposition into C#. If it is completely white simply click on it and the following options will appear: Original, 1 Semitione, 2 Semitnoes, 3 Semitones, -1 Semitone, -2 Semitones, -3 Semitones. You can do this by checking the bottom of the viewer where a "notes" icon is presented. Most of our scores are traponsosable, but not all of them so we strongly advise that you check this prior to making your online purchase. If not, the notes icon will remain grayed. If transposition is available, then various semitones transposition options will appear. In order to transpose click the "notes" icon at the bottom of the viewer.
#Led zeplin hey hey download
After you complete your order, you will receive an order confirmation e-mail where a download link will be presented for you to obtain the notes. Though it was only a B-side, Led Zeppelin never left fans feeling cheated.This week we are giving away Michael Buble 'It's a Wonderful Day' score completely free.

(The overdub of Plant’s wail is one highlight.) For the last 30 seconds, we get John Bonham drum fills, tight mandolin work from Jones, and a fine performance from Page on 12-string. Page’s production skills kick into gear here. That chanted support allows Plant to belt out as many phrases he can think up in the last minute or so. The song takes its turn after a classic Plant line: “I’m gonna leave her when the guitars play.” From there, Zep-heads will recognize another oddity: backing vocals. But the track’s build-up and high-volume crescendo give it that classic Zeppelin feeling. While “Hey, Hey What Can I Do” has the usual Jimmy Page/Robert Plant songwriting credit, John Paul Jones has a solid instrumental contribution on the mandolin. The John Paul Jones mandolin and screaming finish make it Zep-worthy Robert Plant and Jimmy Page of Led Zeppelin perform at Sports Arena, 6-23-1972, in San Diego. “Hey, Hey, What Can I Do” wasn’t an acoustic showcase like “Black Mountain Side” or a folk ballad like “Going to California.” It was probably as close to a back-porch jam as Zep ever released. Otherwise, the light country-rock track was a bit of an oddity in the band’s catalog. As the authors of the essential Led Zeppelin: All the Songs put it, the “sole purpose” of “Hey, Hey” was to spice up the flip-side of the 1971 single. After all, compared to “Friends” or, say, “Hats Off to (Roy) Harper,” many Zep fans would’ve cast a vote for “Hey, Hey, What Can I Do.”īut that wasn’t in the cards for the “Immigrant Song” B-side. That got Zep-heads wondering how the track, recorded during the Led Zeppelin III sessions, didn’t make it onto that album. (“Traveling Riverside Blues” was another one.) Fans who’d been starved for extra material had a reminder of what they’d missed. When Zep’s boxed sets (including The Complete Studio Recordings) went out in the early ’90s, “Hey, Hey, What Can I Do” returned as something of a lost gem in the Zep catalog. Zep only planned to use it as the B-side to ‘Immigrant Song’ Jimmy Page and John Bonham relax at a hotel, Hiroshima, September 1971. Though Side A of the “Immigrant Song” single had nothing extra to offer Zep fans, they got a treat on the B-side with “Hey, Hey, What Can I Do.” It was the only song Zep ever released that didn’t go out on an album. (Zep never released a single in the UK.)īut that changed (slightly) with the band’s third record. Fans who’d bought the album had no use for the “Whole Lotta Love” single Atlantic released in the U.S. The same went for Led Zeppelin II, the group’s blistering follow-up.

Otherwise, anyone with Zep’s debut album already had it. “Good Times Bad Times,” released in March of that year, would have only given casual fans a chance to own some of the band’s music.

When Led Zeppelin crashed onto the scene in 1969, the band’s singles were optional. The following year (from the Revolver sessions), you’d definitely need the “Paperback Writer” single with “Rain” on the B-side. In the Rubber Soul era, you’d want the “We Can Work It Out” 7-inch with “Day Tripper” on the flip-side. If you were a Beatles fan, a Fab Four single was a must-have.
